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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Huntington Daniel American Hudson River School Painter.
b.1816 d.1906
was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with SFB Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890. |
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Huntington Daniel Mercy's Dream mk77
1841
Oil on canvas
84 1/2x66 1/2in
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Huntington Daniel Sequoyah mk77
c.1830
Oil on canvas
30 1/8x25in
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Huntington Daniel A Southern Portrait mk127
28x22
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Huntington Daniel A Portrait of Mlle Rosina, A Jewess mk140
1858
OIl on canvas
99.1x79.2cm
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Huntington Daniel Asher Brown Durand mk218
1857
Oil on canvas
142.5x111.7cm
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Huntington Daniel
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American Hudson River School Painter.
b.1816 d.1906
was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with SFB Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.
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